Academe

DECL, DSCTA hold IACS Summer School 2024

October 16, 2024
The UP Diliman (UPD) Department of English and Comparative Literature recently organized the 2024 Inter-Asia Cultural Studies Summer School (IACS Summer School 2024). Held from Aug. 5 to 16 with the support of the UPD Department of Speech Communication and Theatre Arts, the summer school carried the theme Tense and Tender Tropics: Ecologies of Vulnerability and Care. Below is a write-up by Kristine Reynaldo, about the summer school. On the IACS Summer School 2024 Kristine Reynaldo In his opening lecture for the 2024 Inter-Asia Cultural Studies Summer School (IACS Summer School 2024), Chih-ming Wang characterized the event as a “subject-making laboratory” through which “the inter-Asia project is … advanced.” The gist of this project, as Chua Beng Huat reiterated to the summer school participants, was “to bring Asian scholars, Asian writings in Asia to the global audience and into the global archive. The idea, as Chen Kuan-Hsing has said in Asia as Method, is to multiply locations and frames of references within Asia itself, rather than singular reference of Western material.” Such a tide-turning endeavor requires concerted efforts by generations of scholars in building resources and spaces of encounter among intellectuals in Asia. Participants at the Vargas Museum. Photo from the UPD Department of Speech Communication and Theatre Arts The IACS Summer School 2024 organized by the UP Diliman (UPD) Department of English and Comparative Literature (DECL) with the support of the UPD Department of Speech Communication and Theatre Arts, brought together 30 local and international scholars and cultural workers and activists to serve as summer school faculty, workshop facilitators, and film screening talkback speakers, and 45 graduate students, researchers, and artists from all around the Asia-Pacific region and beyond. Held from Aug. 5 to 16 in UPD and assembled around the theme Tense and Tender Tropics: Ecologies of Vulnerability and Care, the summer school consisted of lectures, panel discussions, film screenings, workshops, performances, field visits, and small-group discussions. Through this diverse range of activities, participants explored four interrelated areas of inquiry: (1) Ecocriticism and Critical Island and Empire Studies; (2) Conflict and Violence; (3) Care Work, and; (4) Critical Mediations, focusing on curatorial and artistic practices, productions, and initiatives committed to political story-telling. They inquired into problems faced by many societies in Asia, as these manifest in the Philippine context: inequality and generalized precarity, militarized discourses and state violence, development aggression, imperial and neocolonial politics and economies of extraction (including not only of natural resources, but also digital and academic extractivism), and responses to climate emergency and other planetary conditions of crisis and vulnerability. Participants during Day 1 of IACS Summer School 2024. Photo from the UPD Department of Speech Communication and Theatre Arts In advancing discussions on these topics, the summer school…
Students

UP conquers Growling Tigers

October 15, 2024
The UP Fighting Maroons Men’s Basketball Team (UPMBT) started the second round of the University Athletic Association of the Philippines (UAAP) Season 87 men’s basketball tournament with a win against the University of Santo Tomas (UST) Growling Tigers, 83-73, on Oct. 13 at the Smart Araneta Coliseum. Francis Lopez and Terence Fortea led the charge for the UP Fighting Maroons en route to their seventh win in eight outings. Lopez scores on a dunk against Cabañero. Photo from the UAAP Media Team It was a close contest from the tip off as UPMBT and UST traded baskets in the first three quarters. The UP Fighting Maroons were just down by three points, 59-62, going into the fourth frame. Down by four points early in the payoff period, 61-65, the UP Fighting Maroons then put up a good defensive stance and uncorked a 16-2 run to take the lead, 77-67, still with four minutes and nine seconds remaining in the game. Fortea. Photo from the UAAP Media Team The Growling Tigers tried fight back as Nic Cabanero and Mo Tounkara scored on their ball possessions, but Fortea responded with two three pointers to seal the game for the UP Fighting Maroons. Lopez top scored for the Fighting Maroons with 20 points, seven rebounds, and two assists. Fortea scored 16 points, two rebounds, and three assists. Harold Alarcon and Quentin Millora-Brown chipped in 11 points and 10 points, respectively. JD Cagulangan who saw action after missing their last two games, contributed nine points, four assists, and two steals. UPMBT’s next game against the University of the East Red Warriors is onn Oct. 23, 6:30 p.m. at the Mall of Asia Arena in Pasay City. (From left) Millora-Brown, Lopez, and Fortea. Photo from the UAAP Media Team
Campus

UPD observes Day of Remembrance

October 09, 2024
In honor of the people who fought the atrocities brought by the declaration of Martial Law in the Philippines 52 years ago, UP Diliman (UPD) held events contributing to the university’s Day of Remembrance this year. For the whole month of September, UPD lined up close to 20 activities comprising exhibits, forums, film screenings, radio shows, and discussions. The activities were held by more than 10 academic units and organizations on campus. The units that held events for the Day of Remembrance were the UPD Office for Initiatives in Culture and the Arts (OICA), Bulwagan ng Dangal University Heritage Museum (BnD), Center for International Studies (CIS), Third World Studies Center (TWSC), UP Film Institute Film Center (UPFI Film Center), College of Architecture (CA), College of Arts and Letters (CAL), College of Fine Arts, Departamento ng Filipino at Panitikan ng Pilipinas (DFPP), Departamento ng Kasaysayan (DKas), University Library (UL), and UP Theater Complex (UPTC). Student organizations Aliguyun UP Folklorists (Aliguyon), DZUP, the School of Library and Information Studies Student Council (SLIS Student Council), and DZUP special program Serbisyong Tatak UP (STUP) also hosted activities in observance of the Day of Remembrance. Kalahating Siglo ng Daluyong, 2022, oil on canvas, an artwork from the OICA collection given by the Bagong Alyansang Makabayan, exhibited at the Palma Hall lobby during the Day of Remembrance observance. Photo from the UP Diliman OICA Facebook page. According OICA’s official roster, there were seven exhibits in observance of the Day of Remembrance: SP Lopez: The Radical President Exhibition hosted by the University Library, Kalahating Siglo ng Daluyong (OICA and the BnD), 09.21 We will never forget. (OICA and the DKas), Special night lights of ‘ARKI’ letters in red, an outdoor exhibit (CA), Black Cloth Hanging and 09.21 Projection on UP Theater, an outdoor exhibit (UPTC), Paggunita at Pagdiwang: Day of Remembrance Exhibits (UP Fine Arts Gallery) and Exposing the Private Face of Ferdinand E. Marcos: An Exhibit (TWSC). Two forums were also held: Ang Bagong Pilipinas Hymn: Bagong Awitin, Lumang Tugtugin? Organized by the CIS, and Gunita ng Pakikipagtunggali: Mga Akda at Sinupan sa Panahon ng Diktadura by DKas. Maritial Law-related films were screened at the UPFI Film Center: Lakad Gunita sa Pamantasang Hinirang: First Quarter Storm and Diliman Commune; and Alipato at Muog. Over at DZUP, radio shows discussing Martial Law were aired: #NeverAgain: Anong Estado ng Pamamahayag Noong Panahong Bawal Maghayag?; #NeverAgain: Martial Law History: Paano Ipaiintindi sa mga Gen Z?; Diktadurang Marcos: Ang Katotohanan ng Batas Militar—aired in partnership with STUP; #NeverAgain: Anong Estado ng Pamamahayag Noong Panahong Bawal Maghayag? Part 2; and Kanya-kanyang Tasaday: Mito at Diskurso ng Pagkakakilanlan (Balik-tanaw sa Cultural Lore ng Batas Militar)—aired in partnership with Aliguyon and CAL.

Research

Preserving Demetillo’s legacy

September 09, 2024
Digitization and Performance of Asian Music Arranged for Guitar Ensemble by Lester Demetillo is a research project fulfilled in honor of the UP Guitar Ensemble founder. This was how the team described the research —a project of the Department of Strings and Chamber Music (DSCM) of the UP Diliman (UPD) College of Music (CMu).                       The research introduced Demetillo as a “distinguished Filipino guitarist and pedagogue who transcribed and arranged countless works for the classical guitar ensemble from both local and foreign music, greatly contributing to the history and practice of classical guitar in the Philippines… rose to prominence when he founded the UP Guitar Ensemble in 1982.” Demetillo. Photo by Jerald DJ. Caranza, UP Diliman Information Office Supported by the UPD Office for Initiatives in Culture and the Arts, the research “aims to digitize,” Demetillo’s handwritten works using a music notation program. These works “will be encoded in batches of 10 to 15 pieces, and each batch will be performed in a dedicated guitar ensemble concert as a means of promoting Filipino classical guitar music while honoring … legacy.” Demetillo addressing the audience. Photo by Jerald DJ. Caranza, UP Diliman Information Office    The first batch of materials showcased in the project were eight Filipino works and five traditional pieces from Japan, Korea, China, Thailand, and Indonesia. The Filipino works are Visayan Caprice and Cavatina by Nicanor Abelardo, Improvisasyon by Augusto Espino, Buligi by National Artist for Music Ryan Cayabyab, Rondo in F by National Artist for Music Antonio Molina, Suite, 2nd Movement by Angel Peña, Tanging Dilag by Rosendo Santos Jr., and Mindanao Orchids by Ramon Tapales. The Asian traditional works are Quartet for Koto and Jūshichigen, 1st Movement by Nagasawa Katsutoshi; Arirang, a Korean folk song; Jasmine Flower, a Chinese folk song; excerpts from Sadhukarn, a Thai traditional music; and Gambangan from Balinese Ceremonial Music by Colin McPhee. At the concert where the first batch of Demetillo’s digitized works were also performed, the distinguished guitarist and composer-recalled the beginnings of the UP Guitar Ensemble and expressed his sentiments forming the group. Demetillo said it was a daunting, “almost an impossible task, especially here in the Philippines, because of the dearth of pieces, because of the dearth of capable teachers.” He began teaching at the DSCM in 1982 after auditioning and being recommended by National Artist for Music Ramon P. Santos who was then-CMu dean. Demetillo continued, “I was so envious with the orchestras, with the Madrigal Singers, with the UP Concert Chorus, and the other groups here. The symphony orchestras and the wind orchestras. Because they could perform so many, you know, kinds of music. So many big repertoires. So why not…
Extension

UPD highlights extension work in symposium

October 02, 2024
Extension work is one of the mandates of UP under Republic Act 9500, otherwise known as the UP Charter of 2008. To celebrate the various extension endeavors of UP Diliman (UPD) personnel, the Office of the Vice Chancellor for Research and Development Office of Extension and Coordination (OEC) held Saliksik Diwa on Sept. 25 at the UPD Institute of Civil Engineering (ICE) David M. Consunji Theater. Attendees of the Saliksik Diwa. Photo by Jefferson Villacruz, UP Diliman Information Office Saliksik Diwa is a symposium that aims to showcase the stories of extension work grantees from a wide range of disciplines, and on how knowledge and best practices have been transformed into concrete action for the benefit of the general public. In his video message, UPD Chancellor Edgardo Carlo L. Vistan II underscored the value of doing extension work and public service. He pointed out that these endeavors are testaments to the University’s way of fulfilling its role as a source of knowledge and a partner in nation building. “In extension work, we are more than just academics; we are drivers of change. We take the insights and innovations of research and breathe life into them in ways that directly impact the well-being of our communities,” Vistan said. Meanwhile, Glecy C. Atienza, PhD, chair of the University Council Committee on Extension Services, commended UPD’s wide-range of extension activities that address the various important and urgent needs of many communities. “Sa isang pag-iisip at sulyap sa mga proyektong nabigyan ng pagkilala sa taong ito, malakas ang alingawngaw na mga taglay nitong Tatak UP—ang dangal, kahusayan, at paglilingkod sa sambayanan. Taglay ito ng lahat ng sangay ng ating pamantasan at buhos-lakas na sinusuhayan ng tanglaw ng dunong at pagsubaybay ng ating pamantasan,” said Atienza. Eight extension work projects funded by the OEC Extension Grant were presented at the symposium, and were divided into two sessions. (From left) OEC Director Eden May B. Dela Peña, Gallardo, Guevarra, Paulino, Jamisolamin, John Francis Sarmenta from the Hemophilia Association of the Philippines for Love and Service, and Research Dissemination Office Director Jhud Mikhail Aberilla. Photo by Jefferson Villacruz, UP Diliman Information Office The morning session consisted of Planning and Assessment for Ugnayan sa Pamayanan ng CHE with Pook Daang Tubo, and Pook Marilag, Barangay UP Campus by Shirley V. Guevarra, PhD, dean of the College of Home Economics (CHE); Treasures of the Santiago Apostol Parish, Betis, Guagua, Pampanga: An Inventory and Catalog Project by Roberto Eliseo G. Paulino, PhD of the UPD Department of Art Studies; Haplos: Panimulang Klase sa Ukelele para sa mga Kababayang may Hemophilia by Solaiman E. Jamisolamin of the UPD Strings and Chamber Music Department; and Validation of DNA Typing Procedures for Handling Exhausted Human Remains…

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